STPI 2010 · SingaporeSTPI — Creative Workshop & Gallery
2010 — Artist-in-residence at STPI Creative Workshop & Gallery, Singapore.
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Three studios that remade the palette — pulp, paper and prayer.
2010 — Artist-in-residence at STPI Creative Workshop & Gallery, Singapore. Working shoulder to shoulder with master printers, Shambhavi finger-painted hand-beaten pulp the way village walls are mud-plastered. Abaca and cotton fibre, ochre and indigo, paper as terrain. The palette changed and the iconography shifted — and the resulting works entered the MoMA permanent collection, New York.
Residency detail →2001–2004 — Artist-in-residence at Greatmore Studios, Cape Town, with participation in Holland South Africa Line (HSAL) at the Castle of Good Hope, William Fehr Collection. Midnight Song — handmade paper, palm fans, 12 pages of independence. Gandhi and Mandela, the rainbow nation, Cape Point oceans, migrants and slavery. In 2000–2001 the HSAL exchange prompted a deeper engagement with the philosophy of Mahatma Gandhi.
Residency detail →1998–99 — The Search Within, Art between Implosion and Explosion, Pernegg Monastery, Vienna. A cloistered year at the Benedictine monastery of Pernegg: art between implosion and explosion, silence as material.
STPI 2010 · Singapore2010 — Artist-in-residence at STPI Creative Workshop & Gallery, Singapore.
Greatmore 2001–20042001–2004 — Artist-in-residence at Greatmore Studios, Cape Town, with HSAL at the Castle of Good Hope, William Fehr Collection.
Pulp · STPI 2010Finger-painted pulp from the Singapore residency years — the mud-wall gesture that changed everything after.